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Eventually she is able to persuade all the women, except for her mama, to disrobe and display their “defects” without any shame.This pressure is doubly hard for women of color, who usually have fewer options and a harder life. "Real Women Have Curves" is enormously entertaining for moviegoers of any age (it won the Audience Award at Sundance 2002). I want to be taken seriously for what I think, not for how I look,” 18-year-old Ana exclaims as the central character in Real Women Have Curves, the engaging film adaptation of a stage play by Josefina Lopez.. Carmen leaves the factory in a huff over her family and co-workers' lack of shame as Ana declares that they are women and this is who they are. I regretted, however, that the script missed the opportunity to comment on one other aspect of economic reality: that the odds today of a woman such as Ana being offered a full scholarship at Columbia, as happens in the film, are probably less than being visited by the Virgin de Guadalupe. But for young women depressed because they don't look like skinny models, this film is a breath of common sense and fresh air. She could follow the wishes of her mother, Carmen (Lupe Ontiveros), and lose weight so she can “catch” a man and learn to be a good wife. Josefina is so excited to direct the 30th anniversary production of Real Women Have Curves in San Francisco where it had its World Premiere at the Mission Cultural Center May 1990. Ana's mother is resolute, while Raúl seems open to the idea and assures Ana's teacher that he will think about it, after he initially hesitates to say anything in order to spare Carmen's feelings. REAL WOMEN HAVE CURVES was fll'St presented by El Teatro De La Esperanza at the Mission Cultural Center in San Francisco, California, May 25, 1990. Directed by Patricia Cardoso. Real Women Have Curves is a stage play by Josefina López and is set in a tiny sewing factory in East Los Angeles in September 1987. Or she could follow the urging of one of her teachers, Elias Guzman (George Lopez), and apply for admission into Columbia University, a New York City Ivy League institution far away from Ana’s roots.I felt this way at age 14. Estela is the owner of the factory and is the only one who hasn’t received her green card. Photos by Donny Gilliland. In East Los Angeles, an 18-year-old struggles between her ambitions of going to college and the desires of her domineering mother for her to get married, have children, and oversee the small, rundown family-owned textile factory.

The final scenes show Ana striding confidently through the streets of New York.Later, at the factory, all of the women working there except Carmen grow exhausted of the heat and Carmen's critiques of their bodies and strip down to their underwear, comparing body shapes, stretch marks, and cellulite, inspiring confidence in one another's bodies. Estela protests, saying there isn't enough to pay Ana, but fails to sway Carmen.

I want to be taken seriously for what I think, not for how I look," 18-year-old Ana exclaims as the central character in Real Women Have Curves, the I want to be taken seriously for what I think, not for how I look,” 18-year-old Ana exclaims as the central character in Real Women Have Curves, the engaging film adaptation of a stage play by Josefina Lopez.