If money is not an issue, then you can’t go wrong with this film, but for enthusiasts and the normal person (non-professional), other cheaper films will work just as well. Ok, it was cold, but I love January mornings like these!This morning I also did a little experiment with exposure. I was open-minded as to how the images would turn out and wasn’t doing anything specific to elicit some “look” from the images.I set out this Spring and Summer to do a comparative test of Kodak EKTACHROME E100 and Fujifilm Fujichrome Velvia 50 (RVP50). Would love to hear your thoughts!You’ve probably seen some amazing wedding images captured on this film stock!However, can you push this film?
It has no “cyan sensitive layer.” Compared to Superia X-Tra 400, Superia Premium 400 responds to longer … It’s a high-speed, daylight-balanced color film stock with fine grain.Keep scrolling for the full Fujifilm Pro 400H review!Overexposing this film is really where those beautiful colors come out. There is one roll with the same film, same lens, same lab.
As a film, it doesn’t have many shortcomings, and I really enjoyed the images I made while using it. The color balance of Pro 400H is remarkably neutral across the board with an added depth to blue and green. I’ve always appreciated still life but never really practised it at a photography level. There are just so many variables when it comes to color or B&W film photography, always interesting to read someone document their experiences.Cheer up, it (the end of film) might never happen Mirror Trees / Pro 400H / 1/125 sec @ f/4Mirror Trees / Pro 400H / 1/250 sec @ f/4Hi Erik, thanks for commenting. Although there are any number of looks that can be achieved from It might be worth trying to get some of the disappointing frames rescanned just to see if that is part of what is going on.I have to say I enjoy reading Aukje’s posts, we should all approach photography with as open an inquisitive minds. But even here, where it is before sunrise and it is raining, there is still enough colour.Read my harsh comments as nothing more than a little frustration, unless more people wake up to the realities of the digital catastrophe, film will be totally gone, once the economy dictates the last dev.&print-shop to close its doors, just like earlier processes, daguerre and tintype, what did them in was better, faster and cheaper processes, and in todays world that is digital…. Fujifilm introduced Fujicolor Pro 400H in 2004 and it's been a popular film ever since. I think the same must be true of many labs where they can tweak things to make it look more how the operator likes. Since getting kits for developing film is way harder than getting films via the net (the costoms open chemicals and test for drugs, since they have no real knowledge og chemistry, one guy got clobbered, trying to fetch his chemicals in the post office, they tried to charge him with posession.Thanks Ehpem!