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Donovan / Atlantis - Duration: 5:17. ... Goodfellas Soundtrack-Atlantis by Donovan - Duration: 3:17. Anderson takes a harmless bit of Seventies soft-rock fluff and turns it into a heartbreaking requiem for basically everybody in the movie, if not America in general. She seems almost as intoxicated by her proximity to power as we are to both a virtuoso cinematic move and Phil Spector's wall-of-sound teen opera.Stax’s soul singer extraordinaire could turn a refrain as simple as this song’s title into a stirring lament and a sexy vamp, so you’d think Scorsese would have set it against Robert De Niro and Sharon Stone’s numerous scenes of marital woe. The hipster fans stare blankly like robots while the Yardbirds do the proto-Zeppelin thrash "Stroll On," a none-too-subtle rip of "Train Kept A-Rollin'." But when the gum-chewing Beck gets mad at his equipment and smashes his guitar, he unleashes a frenzy of mob violence. No, he's the King because of the superhuman confidence he brings to every moment. Mobster - Jimmy "the Gent" Burke - Duration: 6:29. It starts in a New York goth club, where the children of the night groove to Bauhaus' "Bela Lugosi's Dead." Vampire power couple David Bowie and Catherine Deneuve move through the dance floor, looking for tasty-looking trollops to seduce into a night of four-way bat-sex. Subscribe now for more from the authority on music, entertainment, politics and pop culture.Plus, get a limited-edition tote FREE.Warner Bros/Courtesy Everett CollectionOf course, Scorsese has long had a knack for finding the right pop or rock song to kick a scene into the stratosphere. This could have been the utopian moment Robert Plant was trying to capture in Led Zeppelin’s "Going to California," as the children of the sun begin to wake.And oh, how they danced, the little children of Stonehenge. This could have been the utopian moment Robert Plant was trying to capture in Led Zeppelin’s "Going to California," as the children of the sun begin to wake.And oh, how they danced, the little children of Stonehenge. Spike Lee sets the scene right in the streets of the hood, kicking off the action with Rosie Perez dancing through the credits to Public Enemy: "1989! The band is basically anonymous, because the audience is the star. And after he gets reunited with his car and his Creedence tapes, the Dude needs to catch up on his abiding. Rest in peace, River Phoenix. So he celebrates behind the wheel on his drive home – smoking, drinking and drumming on the roof of his car. They're a pair of hippie con men, rolling into a new town, cruising the local hot-rod spot looking for a sucker they can lure into a high-stakes drag race. Oh, what a lonely boy.One of the true cinematic masterpieces of our time.